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By ΠΠ°Π½ΡΠΎΡ ΠΠ°ΠΊΡΠΈΠΌ ΠΠ°ΡΠ»ΠΎΠ²ΠΈΡ
ΠΠ°ΠΊΡΠΈΠΌ ΠΠ°Π½ΡΠΎΡ, 2021
ΠΠ½ΠΈΠ³Π° ΠΠ°ΠΊΡΠΈΠΌΠ° ΠΠ°Π½ΡΠΎΡΠ° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΠΌΠ½ΠΎΠ³ΠΎΠ»Π΅ΡΠ½ΠΈΠΉ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΠΉ ΡΡΡΠ΄, ΠΎΡ Π²Π°ΡΡΠ²Π°ΡΡΠΈΠΉ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΡΡ ΠΈΡΡΠΎΡΠΈΡ ΠΠ²ΡΠΎΠΏΡ Ρ XIV ΠΏΠΎ XXI Π²Π΅ΠΊ ΡΠ΅ΡΠ΅Π· ΠΏΡΠΈΠ·ΠΌΡ ΠΈΡΡΠΎΡΠΈΠΈ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ. ΠΠ²ΡΠΎΡ, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ, Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ ΠΈ ΠΈΡΡΠΎΡΠΈΠΊ ΠΈΡΠΊΡΡΡΡΠ²Π°, ΡΡΠΈ ΡΠ°Π±ΠΎΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ Π² 30 ΠΌΡΠ·Π΅ΡΡ ΠΌΠΈΡΠ°, ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΊΠ°ΠΊ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΠΎΠ±ΡΠ΅ΡΡΠ²Π°. ΠΠ½Π°Π»ΠΈΠ·ΠΈΡΡΡ ΠΊΠ°ΡΡΠΈΠ½Ρ, ΠΌΠΎΠΆΠ½ΠΎ ΠΏΡΠΎΡΠ»Π΅Π΄ΠΈΡΡ Π΄ΠΈΠ½Π°ΠΌΠΈΠΊΡ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠΈ, Π²ΠΊΠ»ΡΡΠ°Ρ Π²ΡΠ±ΠΎΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠ΅ΡΠΏΡΠ±Π»ΠΈΠΊΠΎΠΉ ΠΈ ΠΈΠΌΠΏΠ΅ΡΠΈΠ΅ΠΉ, Π²Π΅ΡΠΎΠΉ ΠΈ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΠ΅ΠΉ. ΠΡΠΎΡΠ°Ρ ΡΠ°ΡΡΡ ΠΊΠ½ΠΈΠ³ΠΈ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΈΡΡΠΎΡΠΈΠΈ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ ΠΎΡ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΠΎΠ²Π΅Π½ΠΈΡ ΠΌΠ°Π½ΡΠ΅ΡΠΈΠ·ΠΌΠ° Π΄ΠΎ XXI Π²Π΅ΠΊΠ°.
Maxim Kantor, 2021
Maxim Kantor's book is the result of many years of research, presenting a panorama of European social and political history from the 14th to the 21st centuries through the lens of painting. Kantor, a writer, playwright, artist, and art historian whose works are displayed in 30 museums worldwide, posits that a painter's palette offers a unique view of society. By analyzing works of art, one can understand the dynamics of European history, including the constant choices between republic and empire, faith and ideology. The second part of the book focuses on the history of painting from the emergence of Mannerism to the 21st century.