By ΠΠΈΠ½Π³ Π ΠΎΡΡ
ΠΠΈΠ½Π³ Π ΠΎΡΡ, 2023, Π‘Π΅ΡΠΈΡ: ΠΠ·Π±ΡΠΊΠ°-ΠΠ»Π°ΡΡΠΈΠΊΠ°. Non-Fiction
Π 1914 Π³ΠΎΠ΄Ρ ΠΈΠΌΠΏΡΠ΅ΡΡΠΈΠΎΠ½ΠΈΡΡΡ ΡΡΠ°Π»ΠΈ ΠΏΡΠΈΠ·Π½Π°Π½Π½ΡΠΌΠΈ ΠΌΠ°ΡΡΠ΅ΡΠ°ΠΌΠΈ, Π° ΠΈΡ ΠΌΠΎΠ»ΠΎΠ΄ΡΠ΅ Π±ΡΠ½ΡΠ°ΡΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠΈΠ»ΠΈΡΡ Π² ΠΏΠ°ΡΡΠΈΠ°ΡΡ ΠΎΠ² ΡΡΠ°Π½ΡΡΠ·ΡΠΊΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ. ΠΠ»ΠΎΠ΄ ΠΠΎΠ½Π΅, Π² Π²ΠΎΠ·ΡΠ°ΡΡΠ΅ 73 Π»Π΅Ρ, ΠΎΠ±ΠΎΡΠ½ΠΎΠ²Π°Π»ΡΡ Π² ΠΠΈΠ²Π΅ΡΠ½ΠΈ, ΡΠΎΠ·Π΄Π°Π² ΡΠ²ΠΎΠΉ ΡΠ°ΠΉΡΠΊΠΈΠΉ ΡΠ°Π΄ Ρ ΠΏΡΡΠ΄Π°ΠΌΠΈ ΠΈ Π»ΠΈΠ»ΠΈΡΠΌΠΈ. ΠΠ΅ΡΠΌΠΎΡΡΡ Π½Π° ΡΠ»ΡΡ ΠΈ ΠΎΠ± ΡΡ ΠΎΠ΄Π΅ Π½Π° ΠΏΠΎΠΊΠΎΠΉ, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π½Π°ΡΠ°Π» ΡΠ²ΠΎΠΉ ΡΠ°ΠΌΡΠΉ ΠΌΠ°ΡΡΡΠ°Π±Π½ΡΠΉ ΠΏΡΠΎΠ΅ΠΊΡ β Π³ΡΠ°Π½Π΄ΠΈΠΎΠ·Π½ΡΠΉ ΡΠΈΠΊΠ» ΠΏΠ΅ΠΉΠ·Π°ΠΆΠ΅ΠΉ Ρ Π²ΠΎΠ΄ΡΠ½ΡΠΌΠΈ Π»ΠΈΠ»ΠΈΡΠΌΠΈ. ΠΡΠΎΡ ΠΏΡΠΎΠ΅ΠΊΡ Π±ΡΠ» ΡΠ΅Π°Π»ΠΈΠ·ΠΎΠ²Π°Π½ Π²ΠΎΠΏΡΠ΅ΠΊΠΈ Π»ΠΈΡΠ½ΡΠΌ ΠΈ ΠΌΠΈΡΠΎΠ²ΡΠΌ ΠΊΠ°ΡΠ°ΠΊΠ»ΠΈΠ·ΠΌΠ°ΠΌ, ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΠΌ ΡΠΎ Π·Π΄ΠΎΡΠΎΠ²ΡΠ΅ΠΌ ΠΈ ΡΠΎΠΌΠ½Π΅Π½ΠΈΡΠΌ Π² ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΡ ΡΠΈΠ»Π°Ρ .
Ross King, 2023, Series: Azbuka-Classics. Non-Fiction
By 1914, the rebellious Impressionist movement had become history, with its young provocateurs maturing into patriarchs of French painting. Claude Monet, at 73, had settled in Giverny, cultivating his personal paradise garden with artificial ponds and hybrid water lilies. Though French newspapers suggested he had retired, they underestimated the artist. Despite personal and global upheavals, ill health, and self-doubt, Monet embarked on the most ambitious artistic endeavor of his career: a monumental series of water lily landscapes.