By Π©ΠΈΠΏΠΈΠ½ Π‘Π°ΡΠ°
Π‘Π°ΡΠ° Π©ΠΈΠΏΠΈΠ½, 2017, Π‘Π΅ΡΠΈΡ: ΠΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»ΡΠ½Π°Ρ ΠΏΡΠΎΠ²ΠΎΠΊΠ°ΡΠΈΡ Π‘Π°ΡΠΈ Π©ΠΈΠΏΠΈΠ½Π°
ΠΠΎΠ½Π΅Ρ ΡΠ²Π΅ΡΠ° ΠΏΡΠ΅Π΄ΡΡΠ°Π΅Ρ Π½Π΅ ΡΠ°ΠΊ, ΠΊΠ°ΠΊ Π² Π³ΠΎΠ»Π»ΠΈΠ²ΡΠ΄ΡΠΊΠΈΡ ΡΠΈΠ»ΡΠΌΠ°Ρ , ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π΅ΡΠ»ΠΈ Π²ΡΡΡΠ΅ΡΠΈΡΡ Π΅Π³ΠΎ Π² ΠΡΠ°ΡΠ½ΠΎΠΏΠΎΠ»ΡΡΠΊΠ΅ β Π³ΠΎΡΠΎΠ΄ΠΊΠ΅ Ρ Π½Π΅ΠΎΠ±ΡΡΠ½ΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠ΅ΠΉ ΠΈ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎΠΌ ΡΠ΅ΠΊΡ. ΠΠ΄Π΅ΡΡ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· Π½ΠΎΠ²ΠΎΡΠ²Π»Π΅Π½Π½ΡΡ ΠΌΠ΅ΡΡΠΈΠΉ ΠΌΠΎΠΆΠ΅Ρ ΠΎΠΊΠ°Π·Π°ΡΡΡΡ ΠΆΠ΅ΡΡΠΎΠΊΠΈΠΌ ΠΌΠ°Π½ΡΡΠΊΠΎΠΌ, Π° Π΄ΡΡ ΠΎΠ²Π½ΡΠ΅ ΠΏΠΎΠΈΡΠΊΠΈ ΠΏΡΠΈΠ²ΠΎΠ΄ΡΡ ΠΊ ΡΠ±ΠΈΠΉΡΡΠ²Π°ΠΌ. Π ΠΎΠΌΠ°Π½ ΡΠΎΠ΅Π΄ΠΈΠ½ΡΠ΅Ρ Π±ΠΎΠ³ΠΎΠΈΡΠΊΠ°ΡΠ΅Π»ΡΡΠΊΠΈΠ΅ ΡΡΠ°Π΄ΠΈΡΠΈΠΈ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΡΠΎΠΌΠ°Π½Π° Ρ ΠΌΠ°Π³ΠΈΡΠ΅ΡΠΊΠΈΠΌ ΡΠ΅Π°Π»ΠΈΠ·ΠΌΠΎΠΌ, ΠΎΠΏΠΈΡΡΠ²Π°Ρ Π±ΡΡ ΠΏΡΠΎΠ²ΠΈΠ½ΡΠΈΠΈ Π½Π° ΡΠΎΠ½Π΅ ΡΠ°Π½ΡΠ°ΡΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠΎΠ±ΡΡΠΈΠΉ. ΠΡΡ ΠΎΠ½Π½ΡΠ΅ ΡΠΏΠΎΡΡ ΠΎ ΡΠ΅Π»ΠΈΠ³ΠΈΠΈ ΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠ΅ ΡΠΎΡΠ΅Π΄ΡΡΠ²ΡΡΡ Ρ Π½Π΅ΠΆΠ½ΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠ΅ΠΉ Π»ΡΠ±Π²ΠΈ.
Sasha Shchipin, 2017, Series: Sasha Shchipin's Intellectual Provocation
The end of the world unfolds differently than depicted in Hollywood blockbusters, especially when experienced in Krasnopolsk, a peculiar town with a strange history and as many sects as inhabitants. It's possible that one of the new messiahs is a brutal serial killer. The search for the culprit might lead to a god vanished from our world, and spiritual quests could turn a person into a ruthless murderer. Sasha Shchipin's novel merges the Russian novel's tradition of god-seeking with magical realism. Descriptions of provincial town life are juxtaposed with fantastical events, while kitchen debates about religion and politics highlight a tender love story.