By ΠΠ°Ρ Π°ΡΠΎΠ² ΠΠΌΠΈΡΡΠΈΠΉ ΠΡΠΊΠ°Π΄ΡΠ΅Π²ΠΈΡ
ΠΠΌΠΈΡΡΠΈΠΉ ΠΠ°Ρ Π°ΡΠΎΠ², 2014, Π‘Π΅ΡΠΈΡ: Π€Π°Π½ΡΠ°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΉ Π±ΠΎΠ΅Π²ΠΈΠΊ
Π Π΄Π²Π°Π΄ΡΠ°ΡΡ Π²ΡΠΎΡΠΎΠΌ Π²Π΅ΠΊΠ΅ ΡΠΈΡΠΌΠ° Β«ΠΠ»Π»ΡΠ·ΠΈΠΎΠ½Β» ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΊΠ»ΠΈΠ΅Π½ΡΠ°ΠΌ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΡ ΡΡΠ»ΡΠ³Ρ: ΠΏΡΡΠ΅ΡΠ΅ΡΡΠ²ΠΈΡ Π²ΠΎ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ ΠΈ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π΅, Π½Π΅ ΠΏΠΎΠΊΠΈΠ΄Π°Ρ ΠΎΡΠΈΡΠ°. Π£ΡΠΏΠ΅ΡΠ½ΡΠΉ Π±ΠΈΠ·Π½Π΅ΡΠΌΠ΅Π½ ΠΡΡΡΡ ΠΠΎΠ³ΠΎΠ΄ΠΈΠ½ ΠΈ Π΅Π³ΠΎ ΠΌΠΎΠ»ΠΎΠ΄Π°Ρ ΠΆΠ΅Π½Π° Π²ΡΠ±ΠΈΡΠ°ΡΡ Π ΠΎΡΡΠΈΡ ΠΊΠΎΠ½ΡΠ° Π΄Π²Π°Π΄ΡΠ°ΡΠΎΠ³ΠΎ Π²Π΅ΠΊΠ°. ΠΡ ΠΊΠ»ΠΎΠ½Ρ, ΡΠΌΠ΅Π»ΡΠ΅ ΠΈ ΡΠ΅ΡΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ Π°Π½ΡΠΈΠΏΠΎΠ΄Ρ ΡΠ΅ΡΠΏΠ΅ΠΊΡΠ°Π±Π΅Π»ΡΠ½ΡΡ ΠΆΠΈΡΠ΅Π»Π΅ΠΉ Π±ΡΠ΄ΡΡΠ΅Π³ΠΎ, ΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π²ΡΡΠ½ΡΡΡ Π² ΠΊΡΠΈΠΌΠΈΠ½Π°Π»ΡΠ½ΡΠ΅ ΠΏΡΠΈΠΊΠ»ΡΡΠ΅Π½ΠΈΡ. ΠΠΎΠ³ΠΎΠ½ΠΈ, ΠΏΠ΅ΡΠ΅ΡΡΡΠ΅Π»ΠΊΠΈ ΠΈ ΡΡΡΠ°ΡΡΠ½Π°Ρ Π»ΡΠ±ΠΎΠ²Ρ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠ°ΡΡΡΡ, ΠΊΠΎΠ³Π΄Π° ΠΈΠ»Π»ΡΠ·ΠΈΡ Π½Π°ΡΠΈΠ½Π°Π΅Ρ ΡΠ»ΠΈΠ²Π°ΡΡΡΡ Ρ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡΡ.
Dmitry Zakharov, 2014, Series: Fantastic Action
In the 22nd century, the firm "Illusion" offers clients a unique service: journeys through time and space without leaving the office. Successful businessman Arthur Pogodin and his young wife choose late 20th century Russia. Their clones, bold and decisive antipodes to the respectable citizens of the future, get caught up in criminal adventures. Chases, shootouts, and passionate love intertwine as illusion begins to merge with reality.