ΠΠ½ΠΎΠΌΠ°Π»ΠΈΡ
ΠΠ±Π·ΠΎΡ
Π ΠΊΠ½ΠΈΠ³Ρ ΠΠΌΠΈΡΡΠΈΡ Π‘ΠΎΠ±ΠΎΠ»Π΅Π²Π° Π²ΠΎΡΠ»ΠΈ ΡΡΠΈ ΡΠ΅ΠΊΡΡΠ° Π΄Π»Ρ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠ° β Β«ΠΠ½ΠΎΠΌΠ°Π»ΠΈΡΒ», Β«ΠΠ΅ΠΆΡΠ΅Π·ΠΎΠ½ΡΠ΅Β» ΠΈ Β«Π‘ΡΡΠ°ΡΠ½ΡΠΉ ΡΡΠ΄Β». ΠΡΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π³Π»ΡΠ±ΠΎΠΊΠΎ ΠΈΡΡΠ»Π΅Π΄ΡΡΡ ΠΏΡΠΈΡΠΎΠ΄Ρ Π·Π»Π°: Π·Π»Π° ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ Π΄ΡΡΠΈ, ΠΏΠΎΡΠΎΠΆΠ΄Π΅Π½Π½ΠΎΠ³ΠΎ ΡΡΡΠ°Ρ
ΠΎΠΌ, ΠΈ Π΅Π³ΠΎ Π½Π΅ΠΎΠ΄Π½ΠΎΠ·Π½Π°ΡΠ½ΠΎΡΡΠΈ. ΠΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΠΈΡΠ°ΡΠ΅Π»Ρ ΠΏΠΎΡΠ°Π·ΠΌΡΡΠ»ΠΈΡΡ Π½Π°Π΄ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈΠΌΠΈ Π²ΠΎΠΏΡΠΎΡΠ°ΠΌΠΈ ΠΎ ΠΌΠΎΡΠ°Π»ΡΠ½ΠΎΠΌ Π²ΡΠ±ΠΎΡΠ΅ ΠΈ ΠΏΠΎΠΈΡΠΊΠ΅ Π³Π°ΡΠΌΠΎΠ½ΠΈΠΈ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠ²Π΅ΡΠ»ΠΎΠΉ ΠΈ ΡΠ΅ΠΌΠ½ΠΎΠΉ ΡΡΠΎΡΠΎΠ½Π°ΠΌΠΈ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ Π½Π°ΡΡΡΡ. ΠΠ½ΠΎ Π·Π°ΡΡΠ°Π³ΠΈΠ²Π°Π΅Ρ ΡΠ»ΠΎΠΆΠ½ΡΠΉ Π²ΠΎΠΏΡΠΎΡ ΠΎ ΡΠΎΠΌ, ΠΊΠ°ΠΊ Π΄Π°Π»Π΅ΠΊΠΎ ΠΌΠΎΠΆΠ΅Ρ Π·Π°ΠΉΡΠΈ Ρ
ΠΎΡΠΎΡΠΈΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ, Π΄Π²ΠΈΠΆΠΈΠΌΡΠΉ Π»ΠΈΡΠ½ΡΠΌΠΈ ΡΠ΅Π½Π½ΠΎΡΡΡΠΌΠΈ. ΠΠΈΠ½ΠΎΠΊΠΎΠΌΠΏΠ°Π½ΠΈΡ Β«ΠΠΠ Π€ΠΠΠ¬ΠΒ», Π²ΡΡΠ°Π·ΠΈΠ² Π±Π»Π°Π³ΠΎΠ΄Π°ΡΠ½ΠΎΡΡΡ Π·Π° ΡΠΎΡΡΡΠ΄Π½ΠΈΡΠ΅ΡΡΠ²ΠΎ, Π³ΠΎΡΠΎΠ²ΠΈΡΡΡ ΠΊ ΡΠΊΡΠ°Π½ΠΈΠ·Π°ΡΠΈΠΈ ΡΡΠ΅Π½Π°ΡΠΈΠ΅Π² Β«ΠΠ΅ΠΆΡΠ΅Π·ΠΎΠ½ΡΠ΅Β» ΠΈ Β«ΠΠ½ΠΎΠΌΠ°Π»ΠΈΡΒ», ΡΡΠΎ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Π΅Ρ Π·Π½Π°ΡΠΈΠΌΠΎΡΡΡ ΠΈ Π°ΠΊΡΡΠ°Π»ΡΠ½ΠΎΡΡΡ Π·Π°ΡΡΠΎΠ½ΡΡΡΡ
ΡΠ΅ΠΌ.
ΠΠΎΠΌΡ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ
- Π§ΠΈΡΠ°ΡΠ΅Π»ΠΈ, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΡΡΡΠΈΠ΅ΡΡ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΎΠΉ ΠΏΡΠΎΠ·ΠΎΠΉ ΠΎ ΠΏΡΠΈΡΠΎΠ΄Π΅ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°.
- ΠΠΎΠΊΠ»ΠΎΠ½Π½ΠΈΠΊΠΈ Π³Π»ΡΠ±ΠΎΠΊΠΈΡ
ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΡ
Π΄ΡΠ°ΠΌ ΠΈ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΉ ΠΌΠΎΡΠ°Π»ΡΠ½ΡΡ
Π΄ΠΈΠ»Π΅ΠΌΠΌ.
- Π’Π΅, ΠΊΡΠΎ ΠΈΡΠ΅Ρ ΠΎΡΠ²Π΅ΡΡ Π½Π° Π²ΠΎΠΏΡΠΎΡΡ ΠΎ Π΄ΠΎΠ±ΡΠ΅ ΠΈ Π·Π»Π΅, ΡΡΡΠ°Ρ
Π΅ ΠΈ ΠΌΠΎΡΠΈΠ²Π°Ρ
ΠΏΠΎΡΡΡΠΏΠΊΠΎΠ².
- Π¦Π΅Π½ΠΈΡΠ΅Π»ΠΈ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΡ
ΡΠ΅ΠΊΡΡΠΎΠ² ΠΈ ΡΡΠ΅Π½Π°ΡΠ½ΠΎΠ³ΠΎ ΠΌΠ°ΡΡΠ΅ΡΡΡΠ²Π°.
- ΠΡΠ΄ΠΈ, Π³ΠΎΡΠΎΠ²ΡΠ΅ ΠΊ ΡΠ°ΠΌΠΎΡΠ΅ΡΠ»Π΅ΠΊΡΠΈΠΈ Π½Π°Π΄ ΡΠ»ΠΎΠΆΠ½ΡΠΌΠΈ ΠΆΠΈΠ·Π½Π΅Π½Π½ΡΠΌΠΈ Π²ΡΠ±ΠΎΡΠ°ΠΌΠΈ.
ΠΠ»ΡΡΠ΅Π²ΡΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ
- ΠΠ²ΡΠΎΡ: ΠΠΌΠΈΡΡΠΈΠΉ Π‘ΠΎΠ±ΠΎΠ»Π΅Π²
- ΠΠΊΠ»ΡΡΠ°Π΅Ρ ΡΡΠΈ ΡΠ΅ΠΊΡΡΠ° Π΄Π»Ρ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠ°: Β«ΠΠ½ΠΎΠΌΠ°Π»ΠΈΡΒ», Β«ΠΠ΅ΠΆΡΠ΅Π·ΠΎΠ½ΡΠ΅Β» ΠΈ Β«Π‘ΡΡΠ°ΡΠ½ΡΠΉ ΡΡΠ΄Β».
- ΠΠ·Π΄Π°Π½ΠΎ Π² ΡΠ΅ΡΠΈΠΈ Β«ΠΡΡΡΠΎ ΠΎ Π²Π°ΠΆΠ½ΠΎΠΌ. ΠΠ°Π±Π»ΡΠ΄Π΅Π½ΠΈΡ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ
ΠΏΡΠ±Π»ΠΈΡΠΈΡΡΠΎΠ²Β».
- Π’Π²Π΅ΡΠ΄ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ, 344 ΡΡΡΠ°Π½ΠΈΡΡ, 2022 Π³ΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°.
- ΠΠ»ΡΠ±ΠΎΠΊΠΎΠ΅ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΡΠΈΡΠΎΠ΄Ρ Π·Π»Π°, ΡΡΡΠ°Ρ
Π° ΠΈ ΠΌΠΎΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π²ΡΠ±ΠΎΡΠ°.
- ΠΠ²Π° ΡΡΠ΅Π½Π°ΡΠΈΡ (Β«ΠΠ½ΠΎΠΌΠ°Π»ΠΈΡΒ», Β«ΠΠ΅ΠΆΡΠ΅Π·ΠΎΠ½ΡΠ΅Β») Π½Π°Ρ
ΠΎΠ΄ΡΡΡΡ Π² ΠΏΡΠΎΡΠ΅ΡΡΠ΅ ΡΠΊΡΠ°Π½ΠΈΠ·Π°ΡΠΈΠΈ ΠΊΠΈΠ½ΠΎΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠ΅ΠΉ Β«ΠΠΠ Π€ΠΠΠ¬ΠΒ».
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Anomaly
Overview
Dmitry Sobolev's book collects three screenplays: 'Anomaly,' 'Interseason,' and 'Doomsday.' These works delve deeply into the multifaceted nature of evilβthe evil born from the human soul and fear, prompting reflection on its inherent ambiguity. The book invites readers to contemplate profound philosophical questions regarding moral choice and the arduous path to achieving harmony between one's light and dark sides. It provocatively explores the extent to which an inherently good person might act when driven by deeply personal and valuable motivations. Film company 'MIRFILM' has acknowledged the significance of these texts and is preparing to adapt 'Interseason' and 'Anomaly' for the screen, highlighting their contemporary relevance and dramatic potential.
Who it's for
- Readers interested in philosophical prose exploring human nature.
- Fans of profound psychological dramas and examinations of moral dilemmas.
- Those seeking answers to questions about good and evil, fear, and motivations behind actions.
- Connoisseurs of screenplays and cinematic storytelling.
- Individuals open to self-reflection on complex life choices.
Key features
- Author: Dmitry Sobolev
- Contains three cinematic texts: 'Anomaly,' 'Interseason,' and 'Doomsday.'
- Published as part of the 'Keen Insights: Observations by Contemporary Publicists' series.
- Hardcover edition, 344 pages, released in 2022.
- Offers a profound exploration of the nature of evil, fear, and moral choice.
- Two screenplays ('Anomaly,' 'Interseason') are currently being adapted for film by 'MIRFILM.'