, 2017
ΠΡΠ° ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎ ΠΈΠ»Π»ΡΡΡΡΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΊΠ½ΠΈΠ³Π° Π·Π½Π°ΠΊΠΎΠΌΠΈΡ Ρ Π΄Π΅ΡΡΡΡΡ Π²ΡΠ΄Π°ΡΡΠΈΠΌΠΈΡΡ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΌΠΈ Π·Π°Π³ΠΎΡΠΎΠ΄Π½ΡΠΌΠΈ Π΄ΠΎΠΌΠ°ΠΌΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ Π΄ΠΎ ΡΠΈΡ ΠΏΠΎΡ Π½Π°Ρ ΠΎΠ΄ΡΡΡΡ Π² ΡΡΠΊΠ°Ρ ΠΏΠ΅ΡΠ²ΠΎΠ½Π°ΡΠ°Π»ΡΠ½ΡΡ ΡΠ΅ΠΌΠ΅ΠΉ. ΠΡ ΠΠ΅Π½ΡΡΠ΅ΡΡ-ΠΠΎΡΡ, Π±ΡΠ²ΡΠ΅Π³ΠΎ ΡΠΊΡΠ΅ΠΏΠ»Π΅Π½Π½ΠΎΠ³ΠΎ ΡΡΠ΅Π΄Π½Π΅Π²Π΅ΠΊΠΎΠ²ΠΎΠ³ΠΎ ΠΏΠΎΠΌΠ΅ΡΡΡΡ, ΠΊΠΎΡΠΎΡΠΎΠ΅ Π±ΡΠ»ΠΎ ΡΠ΅Π·ΠΈΠ΄Π΅Π½ΡΠΈΠ΅ΠΉ ΡΠ΅ΠΌΡΠΈ Π‘ΠΊΡΠ΄Π°ΠΌΠΎΡ ΠΏΠΎΡΡΠΈ 1000 Π»Π΅Ρ, Π΄ΠΎ Π²ΠΎΡΡ ΠΈΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ Π΄ΠΎΠΌΠ° Π² Π³ΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΡΠΈΠ»Π΅ Π‘ΡΡΠΎΠ±Π΅ΡΡΠΈ-Π₯ΠΈΠ»Π» Π² ΡΠ΅Π»ΡΡΠΊΠΎΠΉ ΠΌΠ΅ΡΡΠ½ΠΎΡΡΠΈ ΠΠΎΡΠ½ΡΠΎΠ»Π»Π° ΠΈ ΠΏΠΎΠΌΠ΅ΡΡΡΡ ΠΡΠ΄Π²ΡΠ΄, ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠ³ΠΎ ΡΠ²ΠΎΠΈΠΌΠΈ Π°Π²ΡΠΎΠΌΠΎΠ±ΠΈΠ»ΡΠ½ΡΠΌΠΈ Π³ΠΎΠ½ΠΊΠ°ΠΌΠΈ, ΠΊΠ½ΠΈΠ³Π° ΡΠ°ΡΠΊΡΡΠ²Π°Π΅Ρ ΠΈΡΡΠΎΡΠΈΡ ΠΈ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΡΡΠ½ΡΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΡΡΠΈΡ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΡ ΠΌΠ΅ΡΡ.
ΠΠΆΠ΅ΠΉΠΌΡ ΠΠ΅ΠΉΠ»Π» ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎ Π²Π·Π»Π΅ΡΠ°Ρ ΠΈ ΠΏΠ°Π΄Π΅Π½ΠΈΡΡ ΡΠ°ΠΊΠΈΡ ΡΠΊΠΎΡΠ΅Π½ΠΈΠ²ΡΠΈΡ ΡΡ ΠΊΠ»Π°Π½ΠΎΠ², ΠΊΠ°ΠΊ ΠΡΠ°ΠΊΡΠΎΡΡΡ, Π·Π΅ΠΌΠ»Π΅Π²Π»Π°Π΄Π΅Π»ΡΡΡ Π² ΠΠΈΠ½ΠΊΠΎΠ»ΡΠ½ΡΠΈΡΠ΅ Ρ XII Π²Π΅ΠΊΠ°, ΡΠ΅ΠΉ Π₯Π°ΠΊΡΠΎΡΠ½-Π₯ΠΎΠ»Π» ΠΊΠΎΠ½ΡΠ° XVIII Π²Π΅ΠΊΠ° ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΡΠΌ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠΌ Π΄ΠΎΠΌΠ°, ΠΊΠΎΡΠΎΡΡΠΉ ΠΠΆΠ΅ΠΉΠ½ ΠΡΡΠΈΠ½ ΠΎΠΏΠΈΡΡΠ²Π°Π΅Ρ Π² ΡΠ²ΠΎΠΈΡ ΡΠΎΠΌΠ°Π½Π°Ρ . Π’Π°ΠΊΠΆΠ΅ Π² ΠΊΠ½ΠΈΠ³Π΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Π° ΠΈΡΡΠΎΡΠΈΡ ΡΠ΅ΠΌΡΠΈ ΠΠΈΠ΄Π΄ΡΠ»ΡΡ, ΠΎΡΠ½ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π½Π΅Π΄Π°Π²Π½ΠΎ ΠΏΡΠΈΠ±ΡΠ²ΡΠΈΡ , ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΡΡΡΠΎΠΈΠ»ΠΈ Π ΠΎΠ΄ΠΌΠ°ΡΡΠΎΠ½, ΡΠ΅Π΄Π΅Π²Ρ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ Β«ΠΡΠΊΡΡΡΡΠ²Π° ΠΈ ΡΠ΅ΠΌΠ΅ΡΠ»Π°Β», Π² ΠΏΠ΅ΡΠ²ΡΠ΅ Π΄Π΅ΡΡΡΠΈΠ»Π΅ΡΠΈΡ ΠΏΡΠΎΡΠ»ΠΎΠ³ΠΎ Π²Π΅ΠΊΠ°.
ΠΠΆΠ΅ΠΉΠΌΡ Π€Π΅Π½Π½Π΅Π»Π» ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΠΈΠ» ΠΏΡΠ΅Π²ΠΎΡΡ ΠΎΠ΄Π½ΡΠ΅ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΈ ΡΠ°Π΄ΠΎΠ², ΠΎΡΠ°ΡΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΡΡ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΠΎΠ², ΡΡΠ°ΡΠΈΠ½Π½ΡΡ ΡΠΏΠΎΡΡΠΈΠ²Π½ΡΡ ΡΡΠΎΡΠ΅Π΅Π², ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΉ ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΈ ΠΏΡΠΈΡΡΠ΄Π»ΠΈΠ²ΡΡ ΡΠ΅ΠΌΠ΅ΠΉΠ½ΡΡ ΠΏΠ°ΠΌΡΡΠ½ΡΡ Π²Π΅ΡΠ΅ΠΉ, ΡΡΠΎ Π΄Π΅Π»Π°Π΅Ρ Β«ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ Π·Π°Π³ΠΎΡΠΎΠ΄Π½ΡΠΉ Π΄ΠΎΠΌΒ» Π²ΠΎΡΡ ΠΈΡΠΈΡΠ΅Π»ΡΠ½ΡΠΌ ΠΏΠΎΠ΄Π°ΡΠΊΠΎΠΌ Π΄Π»Ρ Π°Π½Π³Π»ΠΎΡΠΈΠ»ΠΎΠ² ΠΈ Π»ΡΠ±ΠΈΡΠ΅Π»Π΅ΠΉ ΡΡΠ°ΡΡΡ Π΄ΠΎΠΌΠΎΠ². ΠΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΠΈΡΠ°ΡΠ΅Π»ΡΠΌ Π·Π°Π³Π»ΡΠ½ΡΡΡ Π² ΠΌΠΈΡ Π±ΡΠΈΡΠ°Π½ΡΠΊΠΎΠΉ Π°ΡΠΈΡΡΠΎΠΊΡΠ°ΡΠΈΠΈ, ΠΈΡ Π±ΡΡ ΠΈ ΡΡΠ°Π΄ΠΈΡΠΈΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΎΡΠ΅Π½ΠΈΡΡ ΠΊΡΠ°ΡΠΎΡΡ ΠΈ Π²Π΅Π»ΠΈΡΠΈΠ΅ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΡΡΠ½ΠΎΠ³ΠΎ Π½Π°ΡΠ»Π΅Π΄ΠΈΡ ΠΠ½Π³Π»ΠΈΠΈ.
, 2017
This beautifully illustrated book showcases ten outstanding British country houses, all still in the hands of the original families. From Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Strawberry Hill-style Gothic house in rural Cornwall and car-crazed Goodwood House, the book explores the history and architectural significance of these unique estates.
James Peill recounts the stories of deep-rooted clans such as the Cracrofts, landowners in Lincolnshire since the 12th century, whose late 18th-century Hackthorn Hall exemplifies the kind of house Jane Austen describes in her novels. The book also features the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the early decades of the last century.
James Fennell's superb photographs capture a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections, and fanciful family memorabilia, making "The English Country House" a delightful treat for Anglophiles and lovers of old houses. The book offers readers a glimpse into the world of the British aristocracy, their customs, and traditions, while also appreciating the beauty and grandeur of England's architectural heritage.