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By ΠΠ°Π½Π΅ΡΠ΄ΠΆΠΈ Π., ΠΠΎΡΠ½ΡΡΡΠΈ Π.
ΠΠ°Π½Π΅ΡΠ΄ΠΆΠΈ Π., ΠΠΎΡΠ½ΡΡΡΠΈ Π., 2024, Π‘Π΅ΡΠΈΡ: ΠΠ°Π»Π΅ΡΠ΅Ρ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ Π΄Π²Π΅Π½Π°Π΄ΡΠ°ΡΡ ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ , ΠΎΠ±ΠΈΡΠ°ΡΡΠΈΡ Π½Π° Π·Π΅ΠΌΠ»Π΅, Π² Π²ΠΎΠ·Π΄ΡΡ Π΅ ΠΈ ΠΌΠΎΡΠ΅, ΠΊΠ°ΠΊ ΡΠ΅Π½ΡΡΠ°Π»ΡΠ½ΡΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ Π² ΠΈΡΡΠΎΡΠΈΠΈ ΠΌΠΈΡΠΎΠ²ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°. ΠΡ Π΄ΡΠ΅Π²Π½ΠΈΡ ΠΌΠΎΠ·Π°ΠΈΠΊ IV Π²Π΅ΠΊΠ° Π΄ΠΎ Π°Π²Π°Π½Π³Π°ΡΠ΄Π½ΡΡ ΠΏΠ΅ΡΡΠΎΡΠΌΠ°Π½ΡΠΎΠ² XX Π²Π΅ΠΊΠ°, ΠΆΠΈΠ²ΠΎΡΠ½ΡΠ΅ ΠΏΡΠΎΡ ΠΎΠ΄ΡΡ ΡΠ΅ΡΠ΅Π· Π²Π΅ΠΊΠ° Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π°. Π ΠΈΠ·Π΄Π°Π½ΠΈΠΈ ΡΠΏΠΎΠΌΠΈΠ½Π°ΡΡΡΡ ΡΠ°ΠΊΠΈΠ΅ ΠΌΠ°ΡΡΠ΅ΡΠ°, ΠΊΠ°ΠΊ ΠΠΆΠΎΡΡΠΎ, ΠΠ΅ΠΎΠ½Π°ΡΠ΄ΠΎ Π΄Π° ΠΠΈΠ½ΡΠΈ, ΠΠ°ΡΡΡΠΈΠΊΠ° Π₯ΠΎΠΊΡΡΠ°ΠΉ ΠΈ ΠΠΆΠ΅Π½ ΠΠ΅Π»Π°ΠΊΡΡΠ°. ΠΠ½ΠΈΠ³Π° ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Π΅Ρ Π²Π°ΠΆΠ½ΠΎΡΡΡ ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π΄Π»Ρ ΠΏΡΠΈΡΠΎΠ΄Ρ, Π½ΠΎ ΠΈ Π΄Π»Ρ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ ΠΈ ΠΈΡΠΊΡΡΡΡΠ²Π°.
Banerjee A., Cornyati M., 2024, Series: World Painting Gallery
This book features twelve animals from land, air, and sea as central figures throughout the history of world art. From ancient mosaics dating back to the 4th century to avant-garde performances of the 20th century, animals traverse centuries of artistic creation. The publication references masters such as Giotto, Leonardo da Vinci, Katsushika Hokusai, and Eugène Delacroix. The book emphasizes the significance of animals not only for nature but also for the development of human culture and art.