By Π₯Π°Π½Ρ ΠΡΠΈΡΡΠΈΠ°Π½ ΠΠ½Π΄Π΅ΡΡΠ΅Π½
Π₯Π°Π½Ρ ΠΡΠΈΡΡΠΈΠ°Π½ ΠΠ½Π΄Π΅ΡΡΠ΅Π½, 2007, Π‘Π΅ΡΠΈΡ: ΠΠ°ΠΌΡΡΠ½ΠΈΠΊΠΈ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ
ΠΡΠΎ ΠΏΠΎΠ»Π½ΠΎΠ΅ ΡΠΎΠ±ΡΠ°Π½ΠΈΠ΅ ΡΠΊΠ°Π·ΠΎΠΊ ΠΈ ΠΈΡΡΠΎΡΠΈΠΉ Π₯Π°Π½ΡΠ° ΠΡΠΈΡΡΠΈΠ°Π½Π° ΠΠ½Π΄Π΅ΡΡΠ΅Π½Π°, ΠΏΠΎΠ΄Π³ΠΎΡΠΎΠ²Π»Π΅Π½Π½ΠΎΠ΅ ΠΏΠΎ ΠΏΡΠΈΠ½ΡΠΈΠΏΠ°ΠΌ ΡΠ΅ΡΠΈΠΈ "ΠΠ°ΠΌΡΡΠ½ΠΈΠΊΠΈ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ". ΠΠ·Π΄Π°Π½ΠΈΠ΅ ΠΎΡΠ»ΠΈΡΠ°Π΅ΡΡΡ Π±ΠΎΠ»ΡΡΠΈΠΌ ΡΠΎΡΠΌΠ°ΡΠΎΠΌ, ΡΠΊΠ°Π½Π΅Π²ΡΠΌ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠΎΠΌ ΠΈ Π½Π°Π»ΠΈΡΠΈΠ΅ΠΌ ΡΡΠΏΠ΅ΡΠΎΠ±Π»ΠΎΠΆΠΊΠΈ ΠΈ ΠΏΠΎΠ΄Π°ΡΠΎΡΠ½ΠΎΠΉ ΠΊΠΎΡΠΎΠ±ΠΊΠΈ. ΠΠ½ΠΈΠ³Π° Π½Π°ΠΏΠ΅ΡΠ°ΡΠ°Π½Π° Π½Π° ΠΌΠ΅Π»ΠΎΠ²Π°Π½Π½ΠΎΠΉ Π±ΡΠΌΠ°Π³Π΅ ΠΈ ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ ΠΎΠΊΠΎΠ»ΠΎ 2000 ΡΠ²Π΅ΡΠ½ΡΡ ΠΈ ΡΠ΅ΡΠ½ΠΎ-Π±Π΅Π»ΡΡ ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΉ, ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡΡΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ ΠΈ ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΈ ΠΈΠ· Π»ΡΡΡΠΈΡ ΠΈΠ·Π΄Π°Π½ΠΈΠΉ XIX-XX Π²Π΅ΠΊΠΎΠ².
Π‘ΠΊΠ°Π·ΠΊΠΈ ΠΠ½Π΄Π΅ΡΡΠ΅Π½Π° ΡΠ²Π»ΡΡΡΡΡ ΡΠ΅Π΄Π΅Π²ΡΠ°ΠΌΠΈ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ, ΡΠΎΡΠΌΠΈΡΡΡ ΠΎΡΠΎΠ±ΡΠΉ ΠΌΠΈΡ Π΄Π»Ρ Π΄Π΅ΡΠ΅ΠΉ, ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΠΎΡ ΡΠΎΠ»ΡΠΊΠ»ΠΎΡΠ½ΡΡ ΡΠΊΠ°Π·ΠΎΠΊ. ΠΠ½ΠΈ Π²Π½ΡΡΠ°ΡΡ Π½Π°Π΄Π΅ΠΆΠ΄Ρ, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ ΠΆΠ΅Π»Π°Π½ΠΈΠΉ Π³Π΅ΡΠΎΠ΅Π², ΠΊΠ°ΠΊ Π² ΠΈΡΡΠΎΡΠΈΡΡ ΠΡΠΉΠΌΠΎΠ²ΠΎΡΠΊΠΈ, ΠΠ΅ΡΠ΄Ρ ΠΈ ΠΠ°Ρ. ΠΠΈΠ·Π½Ρ ΡΠ°ΠΌΠΎΠ³ΠΎ ΠΠ½Π΄Π΅ΡΡΠ΅Π½Π°, Π½Π΅ΡΠΌΠΎΡΡΡ Π½Π° ΡΡΡΠ΄Π½ΠΎΡΡΠΈ, ΠΎΡΡΠ°ΠΆΠ΅Π½Π° Π² Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π² ΡΠΊΠ°Π·ΠΊΠ΅ ΠΎΠ± "ΠΠ°Π΄ΠΊΠΎΠΌ ΡΡΠ΅Π½ΠΊΠ΅", ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΈΡΡΡΡΠ΅ΠΉ Π½Π°Π΄Π΅ΠΆΠ΄Ρ Π½Π° ΡΡΠ°ΡΡΡΠ΅.
Hans Christian Andersen, 2007, Series: World Culture Monuments
This is a complete collection of fairy tales and stories by Hans Christian Andersen, prepared according to the principles of the "World Culture Monuments" series. The edition features a large format, a cloth binding, and includes a dust jacket and a gift box. The book is printed on coated paper and contains approximately 2000 color and black-and-white illustrations, showcasing works of world art and illustrations from the best 19th-20th century editions.
Andersen's tales are masterpieces of world literature, creating a unique world for children, distinct from folklore. They inspire hope, depicting the fulfillment of characters' desires, as seen in the stories of Thumbelina, Gerda, and Kai. Andersen's own life, despite its hardships, is reflected in his work, particularly in "The Ugly Duckling," symbolizing the hope for happiness.