By ΠΠ°ΠΏΠ΅ΡΠ½ΡΠΉ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ ΠΠΈΠ½ΠΎΠ²ΡΠ΅Π²ΠΈΡ
ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ ΠΠ°ΡΠ΅Π΄ΠΊΠΈΠ½ ΡΡΠΈΡΠ°Π΅ΡΡΡ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· Π»ΠΈΠ΄Π΅ΡΠΎΠ² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠ³ΠΎ Π°Π±ΡΡΡΠ°ΠΊΡΠ½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π° Π² Π ΠΎΡΡΠΈΠΈ. ΠΠ³ΠΎ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΠΈΠ·ΠΌ ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ ΡΡΠ½ΠΎΡΡΡΡ ΠΈ ΠΏΡΠΎΡΡΠΎΡΠΎΠΉ Π³Π΅ΠΎΠΌΠ΅ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π°Π±ΡΡΡΠ°ΠΊΡΠΈΠΎΠ½ΠΈΠ·ΠΌΠ°, ΡΡΡΠ΅ΠΌΡΡΡ ΠΊ ΡΠΈΡΡΠΎΡΠ΅ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ·ΡΠΊΠ° Π±Π΅Π· ΠΏΡΡΠΌΡΡ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈΡ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠΉ. ΠΠ½ΠΈΠ³Π° ΠΏΡΠΎΡΠ»Π΅ΠΆΠΈΠ²Π°Π΅Ρ ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π° Ρ 1993 ΠΏΠΎ 2014 Π³ΠΎΠ΄, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ Π²ΡΡ Π±ΠΎΠ»Π΅Π΅ ΡΠ΅ΡΠ½ΡΡ ΡΠ²ΡΠ·Ρ Ρ Π·Π°ΠΊΠΎΠ½Π°ΠΌΠΈ Π³Π΅ΠΎΠΌΠ΅ΡΡΠΈΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΠΌΠΎΠ³Π°ΡΡ Π·ΡΠΈΡΠ΅Π»Ρ ΠΎΡΠΌΡΡΠ»ΠΈΡΡ ΠΏΠ΅ΡΠ²ΠΎΠΎΡΠ½ΠΎΠ²Ρ ΠΌΠΈΡΠ°. ΠΠΌΠ΅ΡΡΠ΅ Ρ ΠΏΡΠΎΠ΅ΠΊΡΠ°ΠΌΠΈ Π’Π°ΡΡΡΠ½Ρ ΠΠ°Π΄Π°Π½ΠΈΠ½ΠΎΠΉ Π·Π° 1999β2014 Π³ΠΎΠ΄Ρ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ Π΄Π²Π° Π²Π·Π°ΠΈΠΌΠΎΠ΄ΠΎΠΏΠΎΠ»Π½ΡΡΡΠΈΡ Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΡΠΈ, ΡΠΎΠ·Π΄Π°Π½Π½ΡΡ Π² ΠΏΠ°ΡΡΠ½ΡΡΡΡΠ²Π΅ Ρ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠ΅ΠΉ ARCHSKIN.
Vladimir Nasedkin is recognised as a leading figure in contemporary Russian abstract art. His minimalist approach merges with the clarity and simplicity of geometric abstraction, striving for a pure visual language free of overt philosophical interpretation. The volume traces the evolution of his work from 1993 to 2014, showing a gradual alignment with geometric principles that invite viewers to contemplate the fundamental structures of the world. Accompanying Tatiana Badaninaβs projects from 1999 to 2014, the book offers a comprehensive look at two complementary artistic trajectories, produced in partnership with ARCHSKIN.